Report from the Front Line – You Want to Write Children’s Books
And where, precisely, did all this book conference dancing really fit in? “Fuddy-duddy” you may say, but I haven’t seen such vigorous participation in that ancient kids’ song since my grandson Elias’s Seattle bar mitzvah.
It set the tone for the upcoming three days at the JW Marriott at LA Live. I can only describe it as a kumbaya-glee-club-meets-embraceable-you weekend that drew experts and wannabe kids’ book writers to downtown Los Angeles in the summer heat.
I have written books about murder and music, and now I want to break into the children’s book market. I decided SCBWIwould be a perfect teething zone.
The devotion to their specialty displayed by just about every speaker at every workshop stunned and pleased me. “You too can be part of our magic circle,” published authors, agents, and experts declared again and again to the teeming masses of wannabe writers. Their watchword: “Do not be destroyed by rejection.” it’s par for the course.
But let me get down to brass tacks. The fee for the three-day event, $525 for members ($625 for nonmembers), got me into virtually everything. Including a fun-packed Saturday night dinner, one free drink (and believe me, at the price of drinks at the JW Marriott, you will appreciate that), plus a terrific luncheon and awards presentation on the final day…struggle for a seat, but the food was worth it. And dessert was Judy Blume.
The speaker line-up did not disappoint.
Marvin Terban, a published author labeled “Mr. English for Kids,” offered nonstop words of wisdom backed up by his hilarious presentation. Lin Oliver, SSBWI’S den mother, author, and the writer-producer of a kids’ TV series, spoke with authority and humor whenever she had the mic.
Speakers poured out their hearts recounting always-encouraging winding success stories. Tales of woe followed by tales of joy fell upon receptive ears.
Everyone wants to help get that book you’ve written or illustrated into print. Panelists spilled their guts offering positive plans for success. “Once you have written your story, try reading it aloud to yourself to see if it makes sense,” said one speaker. Another declared, “If you’re doing a picture book, remember…it’s all about economy, with a guideline of no more than 500 words,”
The packed workshops served as the best of the fest. They comprised of pep talks with practical input, and dozens to choose from, depending upon what you needed and wanted to know.
I opted for the effervescent Erzsi Deak, founder of the Hen and Ink Literary Studio, who offered the countless chomping-at-the-bit writers the chance to submit right away. No interminable silences; you’ll get an answer. Allyn Johnston, who runs Beach Lane Books in La Jolla, an absolute powerhouse of information, could’ve talked all night. I found her tips downright practical: “We don’t need query letters.” Others were surprisingly basic: “It’s a buyer’s market,” and, “I’m hungry for fresh, middle-grade, contemporary voice-y, original fiction that will make me laugh and cry.” Allyn Johnston will respond to queries.
The highlight of the weekend was breakfast with Shell Beach’s upbeat Karen Grencik and her partner Abigail Samoun at Red Fox Literary agency—another active and energetic publishing house.
What I learned and still have a hard time swallowing was this: everyone told me that even though I am the writer, I shouldn’t even bother coming up with brilliant ideas about what the illustrations in my book should actually look like.
It’s a bit like giving birth to a baby and then handing it over to adoptive parents to do what will.
“Surely the author’s input is vital to the illustration,” I asked workshop leader Lisa Wheeler, an author of over 35 children’s books, whose workshop topic was “Creating Picture Book Characters.”
“No. You will have no control of art,” she said. “Editors may ask your opinion, but they don’t really care.
“Make your characters more emotionally engaging; I want to laugh and cry with them,” Ms. Wheeler said, after eloquently reading a segment from a book about a pig who, missing his mud, runs away from the farm but ends up mistaking freshly poured concrete in the city for warm mud. Don’t worry. the story ends happily.
- “The picture book is a form of theater,” said one speaker.
- “The work has to speak for itself,” declared another. Sort of. Yes, whatever that means.
- “We want stories that make you fall in love with the characters,” declared Kat Testerman, founder of KT Literary.
Bottom line: the SCBWI is a ball. And well worth the investment. And you might even get your book published. I met a lady from Marin County, California, who has been coming to the annual events for nine years. “I just told my husband I’ll be back next year for the 47th annual summer conference.”
But my oddest book story: Are you ready for this? There’s this great new book about girls who create a new video game—they fire tampons at nasty boys. I forget the title. Maybe you’d like to track it down.
Joy Preble, author of young adult novels like the “Dreaming Anastasia” series, summed it up, “We’re all in competition with each other—but we’re nice to each other.”